Call for Type. New Typefaces / Neue Schriften. 新型面图形/字体设计展，展架不错

Design , scenography , graphic design and production of an exhibition. Bachelor thesis of Simon interference and Luke Wezel at the University of Applied Sciences Mainz
Lately manifested an internationally well networked , young type design scene that does not want longer exhausted in individual design experiments or in a fashionable ” hype ” is . Rather, the font designers and gestalter aimed at fundamental statements that respond to the changing aesthetic , socio-political and technological developments.
The exhibition ” Call for Type. New Type Faces . New fonts. ” Offers insight into the fascinating world of type design. It presents a time-based compilation of current positions in Typeface Design in words and pictures . Particularly striking »New fonts ” are presented each their own character corresponding to illustrate the design, but also the intention of the scriptures. In addition, give selected statements of the type designer and interior designer insight into the thinking and creative so that motivations and design processes are traceable. Whether only one cut , screen fonts , which have large expressive autonomy , or large families that are expanded over the years systematically with passionate Endurance: Each font development is the search for a specific mode of transmission of messages and intentions.
» Call for Type. New Type Faces . New fonts. ” Not only documents the high level of professionalism , but also the earnest enthusiasm , font designers and gestalter drives today. Presented are 68 »New fonts ” : A selection of 50 fonts from the current international ausgelobten ahead of the competition exhibition ” Open Call for Type ” as well as 18 specially curated this exhibition fonts that illustrate the spectrum of the young type design of today.

设计，舞台美术，平面设计与制作的展览。西蒙干扰和卢克威兹尔学士论文在应用科学美因茨大学
近来表现一个国际知名的网络，年轻型的设计，不希望再疲惫个别设计实验或在时髦的“炒作”是一幕。相反，字体设计师和gestalter针对那些不断变化的审美，社会，政治和技术的发展作出反应的基本语句。
本次展览“征集类型。新型面。新字体“更深刻地理解型设计的迷人世界。它提出了以文字和图片的字体设计当前位置的时间为基础的汇编。特别引人注目»新字体“都提出了相应的说明了每一个设计自己的性格，也是经典的意图。此外，给类型设计师和室内设计师的洞察力选定报表陷入了思考和创意，使动机和设计过程是可追溯的。是否只有一个切口，屏幕字体，这有很大的自主性的表现，或者说是这些年来有系统地与热情的耐力扩大大家庭团队：每个字体的发展是寻求信息和意图的传递的具体方式。
»征集类型。新型面。新字体。 “不仅记录了专业的高水准，而且还认真热情，字体设计师和gestalter今天驱动。展示的是68 »新字体“：一个选择，从目前国际ausgelobten 50字体领先于竞争对手展”公开征集类型“以及18个专门策划这个展览的字体，说明今天的年轻型设计的频谱。